000 04742nam a2200469 i 4500
001 EBC1303633
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005 20240120141759.0
006 m o d |
007 cr cnu||||||||
008 130227s2013 enka ob 001 0 eng|d
020 _z9781107016101 (hardback)
020 _a9781107290136
_q(electronic bk.)
035 _a(MiAaPQ)EBC1303633
035 _a(Au-PeEL)EBL1303633
035 _a(CaPaEBR)ebr10774065
035 _a(CaONFJC)MIL538429
035 _a(OCoLC)859537224
040 _aMiAaPQ
_beng
_erda
_epn
_cMiAaPQ
_dMiAaPQ
050 4 _aPN1995.9.H5
_bA545 2013
082 0 _a791.43/658
_223
245 0 4 _aThe ancient world in silent cinema /
_cedited by Pantelis Michelakis and Maria Wyke.
264 1 _aCambridge :
_bCambridge University Press,
_c2013.
300 _a1 online resource (411 pages) :
_billustrations (some color)
336 _atext
_2rdacontent
337 _acomputer
_2rdamedia
338 _aonline resource
_2rdacarrier
504 _aIncludes bibliographical references and indexes.
505 8 _aMachine generated contents note: 1. Introduction: silent cinema, antiquity and 'The Exhaustless Urn of Time' Pantelis Michelakis and Maria Wyke; Part I. Theories, Histories, Receptions: 2. The ancient world on silent film - the view from the archive Bryony Dixon; 3. On visual cogency: the emergence of an antiquity of moving images Marcus Becker; 4. Cinema in the time of the pharaoh Antonia Lant; 5. 'Hieroglyphics in motion': representing ancient Egypt and the Middle East in film theory and criticism of the silent period Laura Marcus; 6. Architecture and art dance meet in the ancient world David Mayer; 7. Ancient Rome in London: classical subjects in the forefront of cinema's expansion after 1910 Ian Christie; 8. Gloria Swanson as Venus: silent stardom, antiquity and the classical vernacular Michael Williams; 9. Homer in silent cinema Pantelis Michelakis; Part II. Movement, Image, Music, Text: 10. Silent saviours: representations of Jesus' Passion in early cinema Caroline Vander Stichele; 11. The Kalem Ben-Hur (1907) Jon Solomon; 12. Judith's vampish virtue and its double market appeal Judith Buchanan; 13. Competing ancient worlds in early historical film: the example of Cabiria (1914) Annette Dorgerloh; 14. Peplum, melodrama and musicality: Giuliano l'Apostata (1919) Giuseppe Pucci; 15. 'An orgy Sunday school children can watch': the spectacle of sex and the seduction of spectacle in Cecil B. DeMille's The Ten Commandments (1923) David Shepherd; 16. Silent laughter and the counter-historical: Buster Keaton's Three Ages (1923) Maria Wyke; 17. From Roman history to German nationalism: Arminius and Varus in Die Hermannschlacht (1924) Martin M. Winkler; 18. The 1925 Ben-Hur and the 'Hollywood Question' Ruth Scodel; 19. Consuming passions: Helen of Troy in the jazz age Margaret Malamud.
520 _a"In the first four decades of cinema, hundreds of films were made that drew their inspiration from ancient Greece, Rome, Egypt and the Bible. Few of these films have been studied, and even fewer have received the critical attention they deserve. The films in question, ranging from historical and mythological epics to adaptations of ancient drama, burlesques, cartoons and documentaries, suggest a fascination with the ancient world that competes in intensity and breadth with that of Hollywood's classical era. What contribution did antiquity make to the development of early cinema? How did early cinema's representations affect modern understanding of antiquity? Existing prints as well as ephemera scattered in film archives and libraries around the world constitute an enormous field of research. This extensively illustrated edited collection is a first systematic attempt to focus on the instrumental role of silent cinema in twentieth-century conceptions of the ancient Mediterranean and Middle East"--
_cProvided by publisher.
588 _aDescription based on print version record.
590 _aElectronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
650 0 _aHistorical films
_xHistory and criticism.
650 0 _aSilent films
_xHistory and criticism.
650 0 _aCivilization, Ancient, in motion pictures.
655 4 _aElectronic books.
700 1 _aMichelakis, Pantelis.
700 1 _aWyke, Maria.
776 0 8 _iPrint version:
_tAncient world in silent cinema.
_dCambridge : Cambridge University Press, 2013
_hxxi, 379 pages, 8 unnumbered pages of plates
_z9781107016101
_w(DLC) 2013000786
797 2 _aProQuest (Firm)
856 4 0 _uhttps://ebookcentral.proquest.com/lib/bacm-ebooks/detail.action?docID=1303633
_zClick to View
999 _c98696
_d98696