000 01642nam a2200385 a 4500
001 EBC1158065
003 MiAaPQ
005 20240120134705.0
006 m o d |
007 cr cn|||||||||
008 130222s2013 mnua sb 001 0 eng d
010 _z 2012050731
020 _z9780816681099 (hbk. : acid-free paper)
020 _z9780816681105 (pb)
020 _a9781452939650 (electronic bk.)
035 _a(MiAaPQ)EBC1158065
035 _a(Au-PeEL)EBL1158065
035 _a(CaPaEBR)ebr10753699
035 _a(CaONFJC)MIL523213
035 _a(OCoLC)857364795
040 _aMiAaPQ
_cMiAaPQ
_dMiAaPQ
050 4 _aPN1995
_b.T6145 2013
082 0 4 _a791.4301
_223
100 1 _aTorlasco, Domietta,
_d1968-
245 1 4 _aThe heretical archive
_h[electronic resource] :
_bdigital memory at the end of film /
_cDomietta Torlasco.
260 _aMinneapolis ;
_aLondon :
_bUniversity of Minnesota Press,
_c2013.
300 _a1 v. (various pagings) :
_bill.
504 _aIncludes bibliographical references and index.
505 0 _aIntroduction -- Against house arrest -- Digital impressions: writing memory after Agnes Varda -- Folding time: toward a new theory of montage -- Archiving disappearance: from Michelangelo Antonioni to new media.
533 _aElectronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
650 0 _aMotion pictures
_xPhilosophy.
655 4 _aElectronic books.
710 2 _aProQuest (Firm)
856 4 0 _uhttps://ebookcentral.proquest.com/lib/bacm-ebooks/detail.action?docID=1158065
_zClick to View
999 _c93902
_d93902