000			03934nam a2200481 i 4500
001			EBC1139664
003			MiAaPQ
005			20240120134627.0
006			m o d |
007			cr cnu||||||||
008			110829s2013 enkac ob 001 0 eng|d
020			_z9781107004399 (hardback)
020			_a9781107347663 _q(electronic bk.)
035			_a(MiAaPQ)EBC1139664
035			_a(Au-PeEL)EBL1139664
035			_a(CaPaEBR)ebr10774113
035			_a(CaONFJC)MIL538439
035			_a(OCoLC)859536186
040			_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ
043			_al------
050		4	_aN8243.S576 _bS54 2013
082	0		_a704.9/49306362 _223
245	0	0	_aSlave portraiture in the Atlantic world / _cedited by Agnes Lugo-Ortiz, Angela Rosenthal.
264		1	_aCambridge ; _aNew York : _bCambridge University Press, _c2013.
300			_a1 online resource (498 pages) : _billustrations (some color), portraits
336			_atext _2rdacontent
337			_acomputer _2rdamedia
338			_aonline resource _2rdacarrier
504			_aIncludes bibliographical references and index.
505	8		_aMachine generated contents note: Introduction: envisioning slave portraiture Angela Rosenthal and Agnes Lugo-Ortiz; Part I. Visibility and Invisibility: 1. Slavery and the possibilities of portraiture Marcia Pointon; 2. Subjectivity and slavery in portraiture: from courtly to commercial societies David Bindman; 3. Looking for Scipio Moorhead: on the portrayal of an 'African painter' in revolutionary North America Eric Slauter; Part II. Slave Portraiture, Colonialism, and Modern Imperial Culture: 4. Three gentlemen from Esmeralda: a portrait fit for a king Tom Cummins; 5. Metamorphoses of the self: slave portraiture and the case of Juan de Pareja in imperial Spain Carmen Fracchia; 6. Of sailors and slaves: portraiture, property, and the trials of circum-Atlantic subjectivities, c. 1750-1830 Geoff Quilley; 7. Between violence and redemption: slave portraiture in early plantation Cuba Agnes Lugo-Ortiz; Part III. Subjects to Scientific and Ethnographic Knowledge: 8. Albert Eckhout's African Woman and Child (1641): ethnographic portraiture, slavery, and the New World subject Rebecca P. Brienen; 9. Embodying African knowledge in colonial Surinam: two William Blake engravings in Stedman's 1796 narrative Susan Scott Parrish; 10. Exquisite empty shells: sculpted slave portraits and the French ethnographic turn James Smalls; Part Ivolume Facing Abolition: 11. Who is the subject? Marie-Guilhelmine Benoist's Portrait d'une Ne;gresse Viktoria Schmidt-Linsenhoff; 12. The many faces of Toussaint Loverture Helen Weston; 13. Cinque;: a heroic portrait for the abolitionist cause Toby Chieffo-Reidway; 14. The Intrepid Mariner Simao: visual histories of blackness in the Luso-Atlantic at the end of the slave trade Daryle Williams.
520			_a"Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888"-- _cProvided by publisher.
588			_aDescription based on print version record.
590			_aElectronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
650		0	_aSlavery in art.
650		0	_aPortraits.
650		0	_aSlavery _zAtlantic Ocean Region _xHistory.
655		4	_aElectronic books.
700	1		_aLugo-Ortiz, Agnes I.
700	1		_aRosenthal, Angela.
776	0	8	_iPrint version: _tSlave portraiture in the Atlantic world. _dCambridge : Cambridge University Press, 2013 _hxix, 468 pages, 8 unnumbered pages of plates _z9781107004399 _w(DLC)10774113
797	2		_aProQuest (Firm)
856	4	0	_uhttps://ebookcentral.proquest.com/lib/bacm-ebooks/detail.action?docID=1139664 _zClick to View
999			_c93016 _d93016