000			03741nam a2200505 a 4500
001			EBC1113089
003			MiAaPQ
005			20240120134414.0
006			m o d |
007			cr cn|||||||||
008			120809s2013 enk sb 001 0deng d
010			_z 2012029749
020			_z9781107028005 (hardback)
020			_a9781107306752 (electronic bk.)
035			_a(MiAaPQ)EBC1113089
035			_a(Au-PeEL)EBL1113089
035			_a(CaPaEBR)ebr10649591
035			_a(CaONFJC)MIL432158
035			_a(OCoLC)827235443
040			_aMiAaPQ _cMiAaPQ _dMiAaPQ
043			_ae-uk-en
050		4	_aPR428.P76 _bS47 2013
082	0	4	_a820.9/353 _223
245	0	0	_aShakespearean sensations _h[electronic resource] : _bexperiencing literature in early modern England / _cedited by Katharine A. Craik and Tanya Pollard.
260			_aCambridge ; _aNew York : _bCambridge University Press, _c2013.
300			_ax, 244 p.
504			_aIncludes bibliographical references and index.
505	8		_aMachine generated contents note: Introduction: imagining audiences Katharine A. Craik and Tanya Pollard; Part I. Plays: 1. Feeling fear in Macbeth Allison P. Hobgood; 2. Hearing Iago's withheld confession Allison Deutermann; 3. Self-love, spirituality, and the senses in Twelfth Night Douglas Trevor; Part II. Playhouses: 4. Conceiving tragedy Tanya Pollard; 5. Playing with appetite in early modern comedy Hillary Nunn; 6. Notes towards an analysis of early modern applause Matthew Steggle; 7. Catharsis as 'purgation' in Shakespearean drama Thomas Rist; Part III. Poems: 8. Epigrammatic commotions William Kerwin; 9. Poetic 'making' and moving the soul Margaret Healy; 10. Shakespearean pain Michael Schoenfeldt; Afterword: senses of an ending Bruce R. Smith.
520			_a"This strong and timely collection provides fresh insights into how Shakespeare's plays and poems were understood to affect bodies, minds and emotions. Contemporary criticism has had surprisingly little to say about the early modern period's investment in imagining literature's impact on feeling. Shakespearean Sensations brings together scholarship from a range of well-known and new voices to address this fundamental gap. The book includes a comprehensive introduction by Katharine A. Craik and Tanya Pollard and comprises three sections focusing on sensations aroused in the plays; sensations evoked in the playhouse; and sensations found in the imaginative space of the poems. With dedicated essays on Hamlet, Macbeth, Othello and Twelfth Night, the collection explores how seriously early modern writers took their relationship with their audiences and reveals new connections between early modern literary texts and the emotional and physiological experiences of theatregoers"-- _cProvided by publisher.
533			_aElectronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
600	1	0	_aShakespeare, William, _d1564-1616 _xCriticism and interpretation.
650		0	_aEnglish literature _yEarly modern, 1500-1700 _xHistory and criticism _xTheory, etc.
650		0	_aEnglish literature _xPsychological aspects.
650		0	_aReading _xPhysiological aspects.
650		0	_aSenses and sensation in literature.
650		0	_aReader-response criticism.
650		0	_aTheater audiences _zEngland _xHistory _y16th century.
650		0	_aTheater audiences _zEngland _xHistory _y17th century.
650		0	_aMind and body.
655		4	_aElectronic books.
700	1		_aCraik, Katharine A.
700	1		_aPollard, Tanya.
710	2		_aProQuest (Firm)
856	4	0	_uhttps://ebookcentral.proquest.com/lib/bacm-ebooks/detail.action?docID=1113089 _zClick to View
999			_c90261 _d90261