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001 EBC670280
003 MiAaPQ
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006 m o d |
007 cr cn|||||||||
008 111215s2012 inug sb 001 0 eng d
010 _z 2011051853
020 _z9780253357038
020 _a9780253005229 (electronic bk.)
035 _a(MiAaPQ)EBC670280
035 _a(Au-PeEL)EBL670280
035 _a(CaPaEBR)ebr10583851
035 _a(CaONFJC)MIL381308
035 _a(OCoLC)859674049
040 _aMiAaPQ
_cMiAaPQ
_dMiAaPQ
050 4 _aML3797
_b.C87 2012
082 0 4 _a780.72
_223
100 1 _aCurrie, James R.
245 1 0 _aMusic and the politics of negation
_h[electronic resource] /
_cJames R. Currie.
260 _aBloomington ;
_aIndianapolis :
_bIndiana University Press,
_c2012.
300 _axxi, 222 p. :
_bmusic.
490 1 _aMusical meaning & interpretation
504 _aIncludes bibliographical references and index.
505 0 _aVeils (Mozart, Piano concerto K. 459, Finale) -- Dreams (fugal counterpoint) -- Exile (Haydn, String quartet op. 33, no. 5) -- Enchantment (Mozart, La clemenza di Tito) -- Forgetting (Edward Said).
533 _aElectronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
650 0 _aMusicology.
650 0 _aPostmodernism.
650 0 _aMusic
_xPolitical aspects.
655 4 _aElectronic books.
710 2 _aProQuest (Firm)
830 0 _aMusical meaning and interpretation.
856 4 0 _uhttps://ebookcentral.proquest.com/lib/bacm-ebooks/detail.action?docID=670280
_zClick to View
999 _c61751
_d61751