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008			090428t20102010mnu ob s001 0 eng|d
020			_z9780816665297 (hc : alk. paper)
020			_z081666529X (hc : alk. paper)
020			_z9780816665303 (pbk. : alk. paper)
020			_z0816665303 (pbk. : alk. paper)
020			_a9780816673636 _q(electronic bk.)
035			_a(MiAaPQ)EBC592806
035			_a(Au-PeEL)EBL592806
035			_a(CaPaEBR)ebr11204239
035			_a(CaONFJC)MIL523073
035			_a(OCoLC)670430528
040			_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ
050		4	_aN6853.D8 _bJ82 2010
082	0		_a709.2 _222
100	1		_aJudovitz, Dalia, _eauthor.
245	1	0	_aDrawing on art : _bDuchamp and company / _cDalia Judovitz.
246	3	0	_aDuchamp and company
264		1	_aMinneapolis : _bUniversity of Minnesota Press, _c[2010]
264		4	_c2010
300			_a1 online resource (317 pages)
336			_atext _2rdacontent
337			_acomputer _2rdamedia
338			_aonline resource _2rdacarrier
504			_aIncludes bibliographical references (pages 237-270) and index.
505	0		_aIntroduction. Drawing on art and artists -- 1. Critiques of the ocular : Duchamp and Paris Dada -- 2. The spectacle of film : Duchamp and Dada experiments -- 3. Endgame strategies : art, chess, and creativity -- 4. Pointing fingers : Dali's homage to Duchamp -- 5. The apparatus of spectatorship : Duchamp, Matta-Clark, and Wilson -- Concluding remarks. Mirrorical returns.
520			_aThis volume explores the central importance of appropriation, collaboration, influence, and play in French artist Marcel Duchamp's (1887-1968) work -- and in Dada and Surrealism in general -- to show how the concept of art itself became the critical fuel and springboard for questioning art's fundamental premises. Duchamp was a French artist whose work is most often associated with the Dadaist and Surrealist movements. The author maintains that rather than simply negating art, Duchamp's readymades (Duchamp's "readymades" are ordinary manufactured objects that the artist selected and modified, as an antidote to what he called "retinal art") and later works, including films and conceptual pieces, demonstrating the impossibility of defining art in the first place. Through his readymades, Duchamp explicitly critiqued the commodification of art and inaugurated a profound shift from valuing art for its visual appearance to understanding the significance of its mode of public presentation.
588			_aDescription based on print version record.
590			_aElectronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
600	1	0	_aDuchamp, Marcel, _d1887-1968 _xCriticism and interpretation.
600	1	0	_aDuchamp, Marcel, _d1887-1968 _xFriends and associates.
650		0	_aArt _xPhilosophy.
655		4	_aElectronic books.
700	1		_aDuchamp, Marcel, _d1887-1968, _eauthor.
776	0	8	_iPrint version: _aJudovitz, Dalia. _tDrawing on art : Duchamp and company. _dMinneapolis : University of Minnesota Press, [2010] _hxxx, 285 pages ; 23 cm _z9780816665297 _w(OCoLC)ocn320131907
797	2		_aProQuest (Firm)
856	4	0	_uhttps://ebookcentral.proquest.com/lib/bacm-ebooks/detail.action?docID=592806 _zClick to View
999			_c56332 _d56332