000 | 08303nam a22005173i 4500 | ||
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001 | EBC5683094 | ||
003 | MiAaPQ | ||
005 | 20240122001136.0 | ||
006 | m o d | | ||
007 | cr cnu|||||||| | ||
008 | 231124s2019 xx o ||||0 eng d | ||
020 |
_a9783319975023 _q(electronic bk.) |
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020 | _z9783319975016 | ||
035 | _a(MiAaPQ)EBC5683094 | ||
035 | _a(Au-PeEL)EBL5683094 | ||
035 | _a(OCoLC)1085944424 | ||
040 |
_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ |
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050 | 4 | _aPN2000-3307 | |
082 | 0 | _a790.2 | |
100 | 1 | _aHildebrandt, Paula. | |
245 | 1 | 0 |
_aPerforming Citizenship : _bBodies, Agencies, Limitations. |
250 | _a1st ed. | ||
264 | 1 |
_aCham : _bSpringer International Publishing AG, _c2019. |
|
264 | 4 | _c�2019. | |
300 | _a1 online resource (316 pages) | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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490 | 1 | _aPerformance Philosophy Series | |
505 | 0 | _aIntro -- Performing Citizenship -- Preface -- Contents -- List of Figures -- Introduction -- Performing Citizenship: Testing New Forms of Togetherness -- Citizenship Redefined and Reinvented -- Doing Things, with Rights: Citizenship as Performance -- Artistic Practice and Knowledge Production -- About This Volume -- References -- Part I: Bodies of Citizenship -- Yet Another Effort, Citizens, If You Want to Learn How to React! -- Citizens Who Do Not Want to React -- Citizens Who Had to React Attack Citizens Who Did Not -- Self-Indulgent Citizens Who React Because They Have Practiced Reacting -- An Elephant in the Room / On the Balcony: Performing the 'Welcome City' Hamburg -- Epilogue -- References -- Doing Rights with Things: The Art of Becoming Citizens -- Performativity, Performance, Enactment -- What Is Called Citizenship? -- Doing Rights with Things -- The Art of Becoming Citizens -- References -- Performing Citizenship: Gathering (in the) Movement -- Introduction -- Gathering in the Movement -- Circle Dancing in the Political Context -- 'If I Can't Dance, I Don't Want to Be Part of Your Revolution': Change and New Temporalities -- Circle Dancing and the Round Dance as Choreographic Formats -- Circle Dancing as Staged Social Order -- Affection and Turmoil: Contact in Circle Dancing -- References -- On Bodies and the Need to Appropriate Them -- The Fitness Industry -- Plastic Surgery -- The Pharmaceutical Industry -- The Use of Apps -- Paul Beatrix Preciado: Testo Junkie -- Leonardo Selvaggio URME -- Antje Velsinger The Bodies We Are -- References -- Part II: Citizenship and (Urban) Space -- Silence, Motifs and Echoes: Acts of Listening in Postcolonial Hamburg -- The Artistic Research Project www.how-to-hear-the-invisible.org -- Motifs -- Silence -- Echo -- City and Commemoration as Acoustic Territories. | |
505 | 8 | _aListening to the Urban Space as a Political Practice -- Acts of Listening and Politics of Sound -- Acoustic Remembrance and Performative History Writing -- References -- Weblinks -- Claims for the Future: Indigenous Rights, Housing Rights, Land Rights, Women's Rights -- Vancouver's 125th Anniversary -- The Downtown Eastside Women's Centre and the Audain Gallery -- Claims for the Future -- Conclusion -- References -- Spaces of Citizenship -- Introduction -- Citizenship -- Space -- Spaces of Citizenship -- Final Remarks -- References -- Urban Citizenship: Spaces for Enacting Rights -- The metroZones School for Urban Action -- The Demonstration 'Never Mind the Papers' -- Spaces and Strategies of Engagement -- Urban Citizenship Enacted -- References -- A Space of Performing Citizenship: The G�angeviertel in Hamburg -- History, Materiality and Characteristics -- Claims, Conflicts and Citizenship -- Successes and Public Relations -- Practices of Performing Citizenship -- Place, Stage and Scene -- A Space of Performing Citizenship -- References -- Part III: Citizenship and (Non-)Performance: Premises/Critique/Speculations -- Performance as Delegation: Citizenship in 'Lloyd's Assemblage' -- Performance as Delegation -- Lloyd's Assemblage -- References -- (Re)Labelling: Mimicry, Between Identification and Subjectivation -- Marthurine, le fou: The Emancipation of a Female Jester -- Mimicry as a Fool's Game -- Carnival al Lajiin_Al-Laji�aat: Contemporary Practices of Mimicry -- Conclusion -- References -- Paralogistics: On People, Things and Oceans -- A first report -- What is hydrarchy today? -- The logistical turn -- The beach of Badagry -- The shippings of the shipped -- Hamburg Port Hydrarchy and the African Terminal -- Loose Ends -- Epilogue: Searching for Alternative Supply Chains -- Epilogue -- References -- Phyto-Performance and the Lost Gardens of Riga. | |
505 | 8 | _aReferences -- Of Mice and Masks: How Performing Citizenship Worked for a Thousand Years in the Venetian Republic and Why the Age of Enlightenment Brought it to an Abrupt End -- Introduction -- Office Rotation and the Distribution of Power -- How to Avoid Corruption When Everyone Is Corruptible? -- Participation and Exclusion Within the Doge's Palace -- The Venetian baut�a: A Social Mask and Its Multiple Functions -- Why the Patrician Republic and the Police State Were Mutually Dependent in Venice -- The System of Overlapping Competences -- References -- Part IV: Emerging Agencies -- Perform, Citizen! On the Resource of Visibility in Performative Practice Between Invitation and Imperative -- Citizens Become Apparent and Perform -- The Promise of Cultural Education: Become Visible and Participate! -- Biographic Theatre and the Visibility of the Individual -- Visibility, Power Relations and Postmigrant Society -- Visibility as a Dramaturgic Junction -- Who Is Performing? How to Play with the Visibility of a Social Constellation on Stage -- References -- Practices of Politicizing Listening (to Migration) -- Childish Citizenship -- References -- I Do. From Instruction to Agency: Designing of Vocational Orientation Through Artistic Practice -- Working Citizen. The Longing for Agency in Current Vocational Orientation -- Performing Work -- The Concept of a Working Citizen -- The Longing for Agency in Current Vocational Orientation -- Agency -- How Artistic Instructions May Lead to Agency: The Project Internship Report -- Instruction-Based Art: Permission and Scope for Action -- Yoko Ono, Cut Piece -- Opening Up Scope for Action Within Institutions -- The Licence for 'Doing Things Differently' -- Two Different Kinds of Artistic Instructions -- Testing the Working Environment-Instructions with a Predetermined Micro Practice. | |
505 | 8 | _aShaping the Working Environment: Instructions with Self-Created Activities -- References -- Index. | |
588 | _aDescription based on publisher supplied metadata and other sources. | ||
590 | _aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2023. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
655 | 4 | _aElectronic books. | |
700 | 1 | _aEvert, Kerstin. | |
700 | 1 | _aPeters, Sibylle. | |
700 | 1 | _aSchaub, Mirjam. | |
700 | 1 | _aWildner, Kathrin. | |
700 | 1 | _aZiemer, Gesa. | |
776 | 0 | 8 |
_iPrint version: _aHildebrandt, Paula _tPerforming Citizenship _dCham : Springer International Publishing AG,c2019 _z9783319975016 |
797 | 2 | _aProQuest (Firm) | |
830 | 0 | _aPerformance Philosophy Series | |
856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/bacm-ebooks/detail.action?docID=5683094 _zClick to View |
999 |
_c305093 _d305093 |