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001 | EBC4462433 | ||
003 | MiAaPQ | ||
005 | 20240123162234.0 | ||
006 | m o d | | ||
007 | cr cnu|||||||| | ||
008 | 150609t20152015stka ob 001 0 eng|d | ||
020 | _z9780748699100 (hbk.) | ||
020 | _z0748699104 (hbk.) | ||
020 | _a9780748699117 (e-book) | ||
035 | _a(MiAaPQ)EBC4462433 | ||
035 | _a(Au-PeEL)EBL4462433 | ||
035 | _a(CaPaEBR)ebr11189876 | ||
035 | _a(OCoLC)897444383 | ||
040 |
_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ |
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050 | 4 |
_aPN1995.9.S284 _bC48 2015 |
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082 | 0 |
_a791.43/6 _223 |
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100 | 1 |
_aChurch, David, _d1982- _eauthor. |
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245 | 1 | 0 |
_aGrindhouse nostalgia : _bmemory, home video and exploitation film fandom / _cDavid Church. |
264 | 1 |
_aEdinburgh : _bEdinburgh University Press, _c[2015] |
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264 | 4 | _c2015 | |
300 |
_a1 online resource (297 pages) : _billustrations |
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336 |
_atext _2rdacontent |
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337 |
_acomputer _2rdamedia |
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338 |
_aonline resource _2rdacarrier |
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504 | _aIncludes bibliographical references (pages 264-277) and index. | ||
505 | 0 | _aA drive-in theatre of the mind: Nostalgic populism and the declasse video object -- 42nd street forever? Constructing 'grindhouse cinema' from exhibition to genre to transmedia concept -- Paratexts, pastiche, and the direct-to-video aesthetic: Towards a retrosploitation mediascape -- Dressed to regress? The retributive politics of the retrosploitation pastiche -- Conclusion -- Appendix: Selected filmography and videography of retrosploitation media. | |
520 | _aToo often dismissed as nothing more than 'trash cinema', exploitation films have become both earnestly appreciated cult objects and home video items that are more accessible than ever. In this wide-ranging new study, David Church explores how the history of drive-in theatres and urban grind houses has descended to the home video formats that keep these lurid movies fondly alive today. Arguing for the importance of cultural memory in contemporary fan practices, Church focuses on both the re-release of archival exploitation films on DVD and the recent cycle of 'retrosploitation' films like Grindhouse, Machete, Viva, The Devil's Rejects, and Black Dynamite. At a time when older ideas of subcultural belonging have become increasingly subject to nostalgia, Grindhouse Nostalgia presents an indispensable study of exploitation cinema's continuing allure, and is a bold contribution to our understanding of fandom, taste politics, film distribution, and home video. --Provided by publisher. | ||
588 | _aDescription based on print version record. | ||
590 | _aElectronic reproduction. Ann Arbor, MI : ProQuest, 2016. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. | ||
650 | 0 |
_aExploitation films _xHistory and criticism. |
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655 | 4 | _aElectronic books. | |
776 | 0 | 8 |
_iPrint version: _aChurch, David. _tGrindhouse nostalgia : memory, home video and exploitation film fandom. _dEdinburgh : Edinburgh University Press, [2015] _hix, 286 pages ; 24 cm _z9780748699100 _w(OCoLC)ocn900438220 |
797 | 2 | _aProQuest (Firm) | |
856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/bacm-ebooks/detail.action?docID=4462433 _zClick to View |
999 |
_c253036 _d253036 |