000 03361nam a2200529 i 4500
001 EBC4424505
003 MiAaPQ
005 20240121080801.0
006 m o d |
007 cr cnu||||||||
008 151106s2015 enka ob 000 0deng|d
020 _z9781846381584 paperback
020 _z1846381584 paperback
020 _a9781846381614
_q(electronic bk.)
035 _a(MiAaPQ)EBC4424505
035 _a(Au-PeEL)EBL4424505
035 _a(CaPaEBR)ebr11206788
035 _a(CaONFJC)MIL900996
035 _a(OCoLC)941877269
040 _aMiAaPQ
_beng
_erda
_epn
_cMiAaPQ
_dMiAaPQ
050 4 _aTR655
_b.A56 2015
082 0 _a770
100 1 _aAnton, Saul,
_eauthor.
245 1 0 _aLee Friedlander :
_bThe Little Screens /
_cSaul Anton.
246 3 0 _aLittle screens
264 1 _aLondon :
_bAfterall Books,
_c2015.
264 2 _aCambridge, Massachusetts :
_bThe MIT Press,
_c[date of distribution not identified]
300 _a1 online resource (97 pages) :
_billustrations.
336 _atext
_2rdacontent
337 _acomputer
_2rdamedia
338 _aonline resource
_2rdacarrier
490 1 _aOne work
500 _aIncludes a facsimile reproduction of The little screens : a photographic essay / by Lee Friedlander ; with a comment by Walker Evans, as printed in Harper's bazaar, February 1963 (pages 8-11).
504 _aIncludes bibliographical references.
520 8 _aLee Friedlander's 'The Little Screens' first appeared as a 1963 photo-essay in Harper's Bazaar, with commentary by Walker Evans. Six untitled photographs show television screens broadcasting eerily glowing images of faces and figures into unoccupied rooms in homes and motels across America. As distinctive a portrait of an era as Robert Frank's 'The Americans', 'The Little Screens' grew in number and was not brought together in its entirety until a 2001 exhibition at the Fraenkel Gallery in San Francisco. Friedlander (b. 1934) is known for his use of surfaces and reflections--from storefront windows to landscapes viewed through car windshields -- to present a pointed view of American life. The photographs that make up The Little Screens represent an early example of this photographic strategy, offering the narrative of a peripatetic photographer moving through the landscape of 1960s America that was in thrall to a new medium. In this astute study, Saul Anton argues that The Little Screens marked the historical intersection of modern art and photography at the moment when television came into its own as the dominant medium of mass culture.
588 _aDescription based on print version record.
590 _aElectronic reproduction. Ann Arbor, MI : ProQuest, 2016. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
600 1 0 _aFriedlander, Lee.
_tLittle screens.
600 1 0 _aFriedlander, Lee
_xCriticism and interpretation.
650 0 _aPhotography, Artistic.
655 4 _aElectronic books.
700 1 _aFriedlander, Lee,
_eauthor.
776 0 8 _iPrint version:
_aAnton, Saul.
_tLee Friedlander : The Little Screens.
_dLondon : Afterall Books, 2015
_h99 pages ; 21 cm.
_kOne work
_z9781846381584
_w(OCoLC)ocn917377218
797 2 _aProQuest (Firm)
830 0 _aOne work.
856 4 0 _uhttps://ebookcentral.proquest.com/lib/bacm-ebooks/detail.action?docID=4424505
_zClick to View
999 _c250103
_d250103