| 000 | 03361nam a2200529 i 4500 | ||
|---|---|---|---|
| 001 | EBC4424505 | ||
| 003 | MiAaPQ | ||
| 005 | 20240121080801.0 | ||
| 006 | m o d | | ||
| 007 | cr cnu|||||||| | ||
| 008 | 151106s2015 enka ob 000 0deng|d | ||
| 020 | _z9781846381584 paperback | ||
| 020 | _z1846381584 paperback | ||
| 020 |
_a9781846381614 _q(electronic bk.) |
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| 035 | _a(MiAaPQ)EBC4424505 | ||
| 035 | _a(Au-PeEL)EBL4424505 | ||
| 035 | _a(CaPaEBR)ebr11206788 | ||
| 035 | _a(CaONFJC)MIL900996 | ||
| 035 | _a(OCoLC)941877269 | ||
| 040 |
_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ |
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| 050 | 4 |
_aTR655 _b.A56 2015 |
|
| 082 | 0 | _a770 | |
| 100 | 1 |
_aAnton, Saul, _eauthor. |
|
| 245 | 1 | 0 |
_aLee Friedlander : _bThe Little Screens / _cSaul Anton. |
| 246 | 3 | 0 | _aLittle screens |
| 264 | 1 |
_aLondon : _bAfterall Books, _c2015. |
|
| 264 | 2 |
_aCambridge, Massachusetts : _bThe MIT Press, _c[date of distribution not identified] |
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| 300 |
_a1 online resource (97 pages) : _billustrations. |
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| 336 |
_atext _2rdacontent |
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| 337 |
_acomputer _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 1 | _aOne work | |
| 500 | _aIncludes a facsimile reproduction of The little screens : a photographic essay / by Lee Friedlander ; with a comment by Walker Evans, as printed in Harper's bazaar, February 1963 (pages 8-11). | ||
| 504 | _aIncludes bibliographical references. | ||
| 520 | 8 | _aLee Friedlander's 'The Little Screens' first appeared as a 1963 photo-essay in Harper's Bazaar, with commentary by Walker Evans. Six untitled photographs show television screens broadcasting eerily glowing images of faces and figures into unoccupied rooms in homes and motels across America. As distinctive a portrait of an era as Robert Frank's 'The Americans', 'The Little Screens' grew in number and was not brought together in its entirety until a 2001 exhibition at the Fraenkel Gallery in San Francisco. Friedlander (b. 1934) is known for his use of surfaces and reflections--from storefront windows to landscapes viewed through car windshields -- to present a pointed view of American life. The photographs that make up The Little Screens represent an early example of this photographic strategy, offering the narrative of a peripatetic photographer moving through the landscape of 1960s America that was in thrall to a new medium. In this astute study, Saul Anton argues that The Little Screens marked the historical intersection of modern art and photography at the moment when television came into its own as the dominant medium of mass culture. | |
| 588 | _aDescription based on print version record. | ||
| 590 | _aElectronic reproduction. Ann Arbor, MI : ProQuest, 2016. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. | ||
| 600 | 1 | 0 |
_aFriedlander, Lee. _tLittle screens. |
| 600 | 1 | 0 |
_aFriedlander, Lee _xCriticism and interpretation. |
| 650 | 0 | _aPhotography, Artistic. | |
| 655 | 4 | _aElectronic books. | |
| 700 | 1 |
_aFriedlander, Lee, _eauthor. |
|
| 776 | 0 | 8 |
_iPrint version: _aAnton, Saul. _tLee Friedlander : The Little Screens. _dLondon : Afterall Books, 2015 _h99 pages ; 21 cm. _kOne work _z9781846381584 _w(OCoLC)ocn917377218 |
| 797 | 2 | _aProQuest (Firm) | |
| 830 | 0 | _aOne work. | |
| 856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/bacm-ebooks/detail.action?docID=4424505 _zClick to View |
| 999 |
_c250103 _d250103 |
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