000			02852nam a2200385 a 4500
001			EBC3443647
003			MiAaPQ
005			20240121060851.0
006			m o d |
007			cr cn|||||||||
008			120702s2013 txua sb 001 0 eng d
010			_z 2012024686
020			_z9780292744158 (cloth : alk. paper)
020			_a9780292744165 (electronic bk.)
035			_a(MiAaPQ)EBC3443647
035			_a(Au-PeEL)EBL3443647
035			_a(CaPaEBR)ebr10656988
035			_a(OCoLC)827944895
040			_aMiAaPQ _cMiAaPQ _dMiAaPQ
043			_acl-----
050		4	_aPN1993.5.L3 _bT75 2013
082	0	4	_a791.43098 _223
100	1		_aTompkins, Cynthia, _d1958-
245	1	0	_aExperimental Latin American cinema _h[electronic resource] : _bhistory and aesthetics / _cby Cynthia Tompkins.
250			_a1st ed.
260			_aAustin : _bUniversity of Texas Press, _c2013.
300			_ax, 294 p. : _bill.
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction: mise-en-scene, a seemingly international staging -- A neonoir skew to the action-image. A shimmering suture: Fabian Bielinsky's epileptic El aura -- Slippery criminal pleasures: intermediality and voyeurism in Jorge Furtado's O homem que copiava -- Endless quest: chasing sex, lies, and money at the gates of hell in Heitor Dhalia's O cheiro do ralo -- Road movies. The paradoxical effect of the documentary: Walter Salles's Central do Brasil -- Twin piques: the double discourse of Carlos Sorin's El camino de San Diego -- Orphans' solidarity: Maria Victoria Menis's El cielito -- Drama. Sculpting time: Ines de Oliveira Cezar's Como pasan las horas -- The past engulfs the present: Josue Mendez's Dias de Santiago -- Experimental auteurism. Whether or not to end one's life: Carlos Reygadas's Japon -- Crime and self-inflicted punishment: Carlos Reygadas's Batalla en El cielo -- Experimental auteurism and intertextuality. The miracle of female bonding in patriarchal society: Carlos Reygadas's Stellet licht (2008) -- Cyclical scapegoating: Ines de Oliveira Cezar's Extranjera -- The irrevocable nature of curses: Ines de Oliveira Cezar's El recuento de Los Danos -- Splintered mirrors, echoes, and reverberations: Fernando Perez Valdes's Madrigal -- Experimental pseudo-documentary. Room with a view: Fernando Perez Valdes's Suite Habana -- Life is and is not: Paz Encina's Hamaca Paraguaya -- Conclusion: possible futures.
533			_aElectronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
650		0	_aExperimental films _zLatin America _xHistory and criticism.
655		4	_aElectronic books.
710	2		_aProQuest (Firm)
856	4	0	_uhttps://ebookcentral.proquest.com/lib/bacm-ebooks/detail.action?docID=3443647 _zClick to View
999			_c229907 _d229908