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001 EBC3408085
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006 m o d |
007 cr cn|||||||||
008 020529s2003 nyu sb s001 0 eng d
010 _z 2002070717
020 _z0791455459 (alk. paper)
020 _z0791455467 (pbk. : alk. paper)
020 _z9780791455456 (alk. paper)
020 _z9780791455463 (pbk. : alk. paper)
020 _z9780791487716
035 _a(MiAaPQ)EBC3408085
035 _a(Au-PeEL)EBL3408085
035 _a(CaPaEBR)ebr10587284
035 _a(OCoLC)56406332
040 _aMiAaPQ
_cMiAaPQ
_dMiAaPQ
050 4 _aPN2171
_b.E37 2003
082 0 4 _a792/.094/09031
_221
100 1 _aEgginton, William,
_d1969-
245 1 0 _aHow the world became a stage
_h[electronic resource] :
_bpresence, theatricality, and the question of modernity /
_cWilliam Egginton.
260 _aAlbany, NY :
_bState University of New York Press,
_cc2003.
300 _aviii, 208 p.
504 _aIncludes bibliographical references and index.
533 _aElectronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
650 0 _aTheater
_zEurope
_xHistory
_y16th century.
650 0 _aTheater
_zEurope
_xHistory
_y17th century.
650 0 _aTheater and society
_zEurope
_xHistory
_y16th century.
650 0 _aTheater and society
_zEurope
_xHistory
_y17th century.
655 4 _aElectronic books.
710 2 _aProQuest (Firm)
856 4 0 _uhttps://ebookcentral.proquest.com/lib/bacm-ebooks/detail.action?docID=3408085
_zClick to View
999 _c213918
_d213918