000 | 03125nam a2200505 i 4500 | ||
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001 | EBC1775482 | ||
003 | MiAaPQ | ||
005 | 20240123070449.0 | ||
006 | m o d | | ||
007 | cr cnu|||||||| | ||
008 | 130510s2013 enka ob 001 0 eng|d | ||
020 | _z1848859619 (pbk.) | ||
020 | _z9781848859616 (pbk.) | ||
020 | _z9781848859050 (hardcback) | ||
020 | _z1848859058 (hardcback) | ||
020 | _z9781845115128 | ||
020 |
_a9780857735911 _q(electronic bk.) |
||
035 | _a(MiAaPQ)EBC1775482 | ||
035 | _a(Au-PeEL)EBL1775482 | ||
035 | _a(OCoLC)890071849 | ||
040 |
_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ |
||
043 | _ae-uk-en | ||
050 | 4 |
_aN72.F45 _bB388 2013 |
|
082 | 0 |
_a704.0420942109047 _223 |
|
100 | 1 |
_aBattista, Kathy, _eauthor. |
|
245 | 1 | 0 |
_aRenegotiating the body : _bfeminist art in 1970s London / _cKathy Battista. |
264 | 1 |
_aLondon ; _aNew York : _bI.B. Tauris, _c2013. |
|
300 |
_a1 online resource (213 pages) : _billustrations |
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336 |
_atext _2rdacontent |
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337 |
_acomputer _2rdamedia |
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338 |
_aonline resource _2rdacarrier |
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504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aFeminism and conceptual practice -- The body and performance art -- Alternative spaces for feminist art -- Feminist themes in contemporary practice. | |
520 | 8 | _aWhat makes art 'feminist art'? There can be no essential feminist aesthetic, argues Kathy Battista in this exciting new art history, although feminist artists do have a unique aesthetic. Domesticity, the body, its traces, and sexuality have become prominent strands in contemporary feminist practice but where did these preoccupations begin and how did they come to signify a particular type of art? Kathy Battista's (re- ) engagement with the founding generation of female practitioners centres on 1970s London as the cultural hub from which a new art practice arose. Emphasizing the importance of artists including Bobby Baker, Anne Bean, Catherine Elwes, Rose English, Alexis Hunter, Hannah O'Shea and Kate Walker, and examining works such as Mary Kelly's "Post-Partum Document", Judy Clark's 1973 exhibition Issues and Cosey Fanni Tutti's "Prostitution", shown in 1976, Kathy Battista investigates some of the most controversial and provocative art from the era. | |
588 | _aDescription based on print version record. | ||
590 | _aElectronic reproduction. Ann Arbor, MI : ProQuest, 2018. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. | ||
650 | 0 |
_aFeminism and art _zEngland _zLondon _xHistory _y20th century. |
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650 | 0 | _aFeminism in art. | |
650 | 0 |
_aWomen artists _zEngland _zLondon _xHistory _y20th century. |
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650 | 0 |
_aArt, British _y20th century _xThemes, motives. |
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655 | 4 | _aElectronic books. | |
776 | 0 | 8 |
_iPrint version: _aBattista, Kathy. _tRenegotiating the body : feminist art in 1970s London. _dLondon : I.B. Tauris, 2013 _hxiii, 207 pages ; 24 cm _z9781845115128 _w(OCoLC)ocn747008395 |
797 | 2 | _aProQuest (Firm) | |
856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/bacm-ebooks/detail.action?docID=1775482 _zClick to View |
999 |
_c117679 _d117679 |