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008 131220s2014 nyu ob 001 0deng|d
020 _z9781623567590 (hardback)
020 _z9781623564155 (paperback)
020 _a9781623563752 (e-book)
035 _a(MiAaPQ)EBC1609902
035 _a(Au-PeEL)EBL1609902
035 _a(CaPaEBR)ebr10834519
035 _a(CaONFJC)MIL613135
035 _a(OCoLC)870245648
040 _aMiAaPQ
_beng
_erda
_epn
_cMiAaPQ
_dMiAaPQ
050 4 _aPN75.C35
_bA44 2014
082 0 _a801/.95092
_223
245 0 0 _aAmerican Impersonal :
_bessays with Sharon Cameron /
_cedited by Branka Arsic.
264 1 _aNew York :
_bBloomsbury Academic,
_c2014.
300 _a1 online resource (375 pages)
336 _atext
_2rdacontent
337 _acomputer
_2rdamedia
338 _aonline resource
_2rdacarrier
504 _aIncludes bibliographical references and index.
505 8 _aMachine generated contents note: -- PrefaceIntroductionChapter 1: James D. Lilley - Being Singularly Impersonal: Jonathan Edwards and the Aesthetics of ConsentChapter 2: Colin Dayan - Melville's Creatures, or Seeing OtherwiseChapter 3: Paul Grimstad - On Ecstasy: Sharon Cameron's Reading of EmersonChapter 4: Johannes Voelz - The Recognition of Emerson's Impersonal: Reading Alternatives in Sharon CameronChapter 5: Vesna Kuiken - On the Matter of Thinking: Margaret Fuller's Beautiful WorkChapter 6: George Kateb - Reading NatureChapter 7: Branka Arsic - What Music Shall We Have? Thoreau on the Aesthetics and Politics of ListeningChapter 8: Kerry Larson - Hawthorne's Fictional Commitments: The Early TalesChapter 9: Theo Davis - Hawthorne's Rage: On Form and the DharmaChapter 10: Shira Wolosky - Formal, New, and Relational Aesthetics: Dickinson's MultitextsChapter 11: Michael Moon - Beyond Sense: Portraits and Objects in Henry James's Late WritingsChapter 12: Shari Goldberg - Believing in Maud-Evelyn: Henry James and the Obligation to GhostsChapter 13: Mark Noble - The Ends of Imagination: Stevens' ImpersonalNote on ContributorsIndex.
520 _a"American Impersonal brings together some of the most influential scholars now working in American literature to explore the impact of one of America's leading literary critics: Sharon Cameron. It engages directly with certain arguments that Cameron has articulated throughout her career, most notably her late work on the question of impersonality. In doing so, it provides responses to questions fundamental to literary criticism, such as: the nature of personhood; the logic of subjectivity in depersonalized communities; the question of the human within the problematic of the impersonal; how impersonality relates to the "posthuman." Additionally, some essays respond to the current "aesthetic turn" in literary scholarship and engage with the lyric, currently much debated, as well as the larger questions of poetics and the logic of genre. These crucial issues are addressed from the perspective of an American literary and philosophical tradition, and progress chronologically, starting from Melville and Emerson and moving via Dickinson, Thoreau and Hawthorne to Henry James and Wallace Stevens. This historical perspective adds the appeal of revisiting the American nineteenth-century literary and philosophical tradition, and even rewriting it"--
_cProvided by publisher.
588 _aDescription based on print version record.
590 _aElectronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
600 1 0 _aCameron, Sharon
_xCriticism and interpretation.
650 0 _aCriticism.
650 0 _aLiterature
_xPhilosophy.
655 4 _aElectronic books.
700 1 _aArsic, Branka.
776 0 8 _iPrint version:
_tAmerican Impersonal : essays with Sharon Cameron.
_dNew York : Bloomsbury Academic, 2014
_hxvii, 356 pages
_z9781623564155
_w(DLC)10834519
797 2 _aProQuest (Firm)
856 4 0 _uhttps://ebookcentral.proquest.com/lib/bacm-ebooks/detail.action?docID=1609902
_zClick to View
999 _c108506
_d108506