Visions of the courtly body : the patronage of George Villiers, first Duke of Buckingham, and the triumph of painting at the Stuart Court / Christiane Hille.
Material type:
TextPublisher: Berlin : Akademie Verlag, [2012]Copyright date: 2012Description: 1 online resource (312 pages) : illustrations (some color)Content type: text Media type: computer Carrier type: online resourceISBN: 9783050062556Subject(s): Buckingham, George Villiers, Duke of, 1592-1628 -- Art collections | Stuart, House of | Masques, English -- History and criticism | Great Britain -- History -- James I, 1603-1625 | Great Britain -- History -- Charles I, 1625-1649 | Great Britain -- Court and courtiers -- History -- 17th century | Great Britain -- Kings and rulers -- PortraitsGenre/Form: Electronic books.Additional physical formats: Print version:: Visions of the courtly body : the patronage of George Villiers, first Duke of Buckingham, and the triumph of painting at the Stuart Court.LOC classification: N8219.K5 | H55 2012Online resources: Click to View Summary: "As the first comprehensive study of Buckingham's patronage of the visual arts, this book is concerned with the question of how the painted image of the courtier transferred strategies of social distinction that had originated in the masque to the language of painting. Establishing a new grammar in the competing rhetorics of bodily self-fashioning, this recast notion of portraiture contributed to an epistemological change in perceptions of visual representation at the early modern English court, in the course of which painting advanced to the central art form in the aesthetics of kingship." (cover - p. 4).
"This book was submitted as a PhD thesis to Humboldt-Universitat Berlin in 2008." (page IX).
Includes bibliographical references.
"As the first comprehensive study of Buckingham's patronage of the visual arts, this book is concerned with the question of how the painted image of the courtier transferred strategies of social distinction that had originated in the masque to the language of painting. Establishing a new grammar in the competing rhetorics of bodily self-fashioning, this recast notion of portraiture contributed to an epistemological change in perceptions of visual representation at the early modern English court, in the course of which painting advanced to the central art form in the aesthetics of kingship." (cover - p. 4).
Description based on print version record.
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
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