Universes without us : posthuman cosmologies in American literature / Matthew A. Taylor.

By: Taylor, Matthew A, 1978- [author.]Material type: TextTextPublisher: Minneapolis : University of Minnesota Press, [2013]Copyright date: 2013Description: 1 online resource (279 pages) : illustrationsContent type: text Media type: computer Carrier type: online resourceISBN: 9781452940519Other title: Posthuman cosmologies in American literatureSubject(s): Poe, Edgar Allan, 1809-1849 -- Criticism and interpretation | Adams, Henry, 1838-1918 -- Criticism and interpretation | Chesnutt, Charles W. (Charles Waddell), 1858-1932 -- Criticism and interpretation | Hurston, Zora Neale -- Criticism and interpretation | Cosmology in literature | American literature -- 19th century -- History and criticism | American literature -- 20th century -- History and criticism | Humanity in literature | Human beings in literature | Self in literature | Order (Philosophy) in literatureGenre/Form: Electronic books.Additional physical formats: Print version:: Universes without us : posthuman cosmologies in American literature.DDC classification: 810.9/384 LOC classification: PS217.P45 | T39 2013Online resources: Click to View
Contents:
Machine generated contents note: -- Contents -- Acknowledgments -- Introduction: Immortal Post-Mortems -- 1. Edgar Allan Poe's Meta/Physics -- 2. Henry Adams's Half-Life: The Science of Autobiography -- 3. "By an Act of Self-Creation": On Becoming Human in America -- 4. Hoodoo You Think You Are?: Self-Conjuration in Chesnutt's The Conjure Woman -- 5. "It Might Be the Death of You": Hurston's Voodoo Ethnography -- Coda: "The Cosmo-Political Party" -- Notes -- Index.
Summary: " During the nineteenth and early twentieth centuries, a wide variety of American writers proposed the existence of energies connecting human beings to cosmic processes. From varying points of view--scientific, philosophical, religious, and literary--they suggested that such energies would eventually result in the perfection of individual and collective bodies, assuming that assimilation into larger networks of being meant the expansion of humanity's powers and potentialities--a belief that continues to inform much posthumanist theory today. Universes without Us explores a lesser-known countertradition in American literature. As Matthew A. Taylor's incisive readings reveal, the heterodox cosmologies of Edgar Allan Poe, Henry Adams, Charles Chesnutt, and Zora Neale Hurston reject the anthropocentric fantasy that sees the universe as a kind of reservoir of self-realization. For these authors, the world can be made neither "other" nor "mirror." Instead, humans are enmeshed with "alien" processes that are both constitutive and destructive of "us." By envisioning universes no longer our own, these cosmologies picture a form of interconnectedness that denies any human ability to master it. Universes without Us demonstrates how the questions, possibilities, and dangers raised by the posthuman appeared nearly two centuries ago. Taylor finds in these works an untimely engagement with posthumanism, particularly in their imagining of universes in which humans are only one category of heterogeneous thing in a vast array of species, objects, and forces. He shows how posthumanist theory can illuminate American literary texts and how those texts might, in turn, prompt a reassessment of posthumanist theory. By understanding the posthuman as a materialist cosmology rather than a technological innovation, Taylor extends the range of thinkers who can be included in contemporary conversations about the posthuman. "-- Provided by publisher.
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Based on the author's thesis (Ph. D.) -- The Johns Hopkins University, 2009.

Includes bibliographical references and index.

Machine generated contents note: -- Contents -- Acknowledgments -- Introduction: Immortal Post-Mortems -- 1. Edgar Allan Poe's Meta/Physics -- 2. Henry Adams's Half-Life: The Science of Autobiography -- 3. "By an Act of Self-Creation": On Becoming Human in America -- 4. Hoodoo You Think You Are?: Self-Conjuration in Chesnutt's The Conjure Woman -- 5. "It Might Be the Death of You": Hurston's Voodoo Ethnography -- Coda: "The Cosmo-Political Party" -- Notes -- Index.

" During the nineteenth and early twentieth centuries, a wide variety of American writers proposed the existence of energies connecting human beings to cosmic processes. From varying points of view--scientific, philosophical, religious, and literary--they suggested that such energies would eventually result in the perfection of individual and collective bodies, assuming that assimilation into larger networks of being meant the expansion of humanity's powers and potentialities--a belief that continues to inform much posthumanist theory today. Universes without Us explores a lesser-known countertradition in American literature. As Matthew A. Taylor's incisive readings reveal, the heterodox cosmologies of Edgar Allan Poe, Henry Adams, Charles Chesnutt, and Zora Neale Hurston reject the anthropocentric fantasy that sees the universe as a kind of reservoir of self-realization. For these authors, the world can be made neither "other" nor "mirror." Instead, humans are enmeshed with "alien" processes that are both constitutive and destructive of "us." By envisioning universes no longer our own, these cosmologies picture a form of interconnectedness that denies any human ability to master it. Universes without Us demonstrates how the questions, possibilities, and dangers raised by the posthuman appeared nearly two centuries ago. Taylor finds in these works an untimely engagement with posthumanism, particularly in their imagining of universes in which humans are only one category of heterogeneous thing in a vast array of species, objects, and forces. He shows how posthumanist theory can illuminate American literary texts and how those texts might, in turn, prompt a reassessment of posthumanist theory. By understanding the posthuman as a materialist cosmology rather than a technological innovation, Taylor extends the range of thinkers who can be included in contemporary conversations about the posthuman. "-- Provided by publisher.

Description based on print version record.

Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

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