Dark directions Romero, Craven, Carpenter, and the modern horror film / [electronic resource] :
Kendall R. Phillips.
- Carbondale : Southern Illinois University Press, 2012.
- xi, 215 p. : ill.
Includes bibliographical references and index. Includes filmography.
Introduction: auteur, genre, and the rhetorics of horror -- Unconstrained bodies in the films of George Romero. The body as contrast: Romero's Living dead -- The body as site of struggle: The crazies, Monkey shines, The dark half, Bruiser -- Romero's mythic bodies: Martin and Knightriders -- Gothic dimensions in the films of Wes Craven. Craven's gothic form: nightmares, screams, and monsters -- Gothic technologies: Serpent and the rainbow, Deadly friend, Swamp thing, Red eye, Shocker -- Gothic families: The people under the stairs, The hills have eyes, Last house on the left -- Desolate frontiers in the films of John Carpenter. Sites under siege: Dark star, Assault on Precinct 13, The thing, Village of the damned -- Forbidden thresholds: The fog, Ghosts of Mars, Halloween, Prince of darkness, In the mouth of madness -- Drifters in desolation: Big trouble in Little China, Vampires, They live, Escape from New York, Escape from L.A. -- Conclusion.
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
9780809330973 (electronic bk.)
Romero, George A.--Criticism and interpretation. Craven, Wes--Criticism and interpretation. Carpenter, John, 1948- --Criticism and interpretation.
Horror films--History and criticism.--United States