Phillips, Kendall R.

Dark directions Romero, Craven, Carpenter, and the modern horror film / [electronic resource] : Kendall R. Phillips. - Carbondale : Southern Illinois University Press, 2012. - xi, 215 p. : ill.

Includes bibliographical references and index. Includes filmography.

Introduction: auteur, genre, and the rhetorics of horror -- Unconstrained bodies in the films of George Romero. The body as contrast: Romero's Living dead -- The body as site of struggle: The crazies, Monkey shines, The dark half, Bruiser -- Romero's mythic bodies: Martin and Knightriders -- Gothic dimensions in the films of Wes Craven. Craven's gothic form: nightmares, screams, and monsters -- Gothic technologies: Serpent and the rainbow, Deadly friend, Swamp thing, Red eye, Shocker -- Gothic families: The people under the stairs, The hills have eyes, Last house on the left -- Desolate frontiers in the films of John Carpenter. Sites under siege: Dark star, Assault on Precinct 13, The thing, Village of the damned -- Forbidden thresholds: The fog, Ghosts of Mars, Halloween, Prince of darkness, In the mouth of madness -- Drifters in desolation: Big trouble in Little China, Vampires, They live, Escape from New York, Escape from L.A. -- Conclusion.


Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

9780809330973 (electronic bk.)




Romero, George A.--Criticism and interpretation.
Craven, Wes--Criticism and interpretation.
Carpenter, John, 1948- --Criticism and interpretation.


Horror films--History and criticism.--United States


Electronic books.

PN1995.9.H6 / P55 2012

791.43/6164