The challenge of the silver screen [electronic resource] : an analysis of the cinematic portraits of Jesus, Rama, Buddha and Muhammad / by Freek L. Bakker.

By: Bakker, Freek L, 1951-Contributor(s): ProQuest (Firm)Material type: TextTextSeries: Studies in religion and the arts ; v. 1.Publication details: Leiden ; Boston : Brill, 2009Description: vi, 282 pSubject(s): Religion in motion pictures | Religious leaders in motion pictures | Gods in motion pictures | Religious films -- History and criticism | Motion pictures -- Religious aspectsGenre/Form: Electronic books.DDC classification: 791.43/651 LOC classification: PN1995.9.R4 | B35 2009Online resources: Click to View
Contents:
Jesus. A short history -- Analysis -- Historical background -- Many images, one Jesus -- Rama. The films -- Historical background -- The importance of seeing in Hinduism -- The modern Ramayana Kathas -- Buddha. The films -- Historical background -- Resistance to depicting Buddha in film -- Thanks to the Hindus and the Westerners -- Muhammad. The film itself -- The film's relationship to the Muslim tradition -- Conclusions -- Jesus restyled. The Indian Jesus films -- The South African Jesus film -- The Jesus film of the African-American Christians -- Siding with powerless and victims of discrimination -- Some conclusions. Between tradition and creativity : the importance of the audience -- Film, narration modes and subjectivity -- The positions of the actors playing the sacred figures -- The sacred environment -- Outside the cultural context of the religions -- Between the void, images and films : again a key position for the audience.
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Includes bibliographical references and index.

Includes filmography and videography.

Jesus. A short history -- Analysis -- Historical background -- Many images, one Jesus -- Rama. The films -- Historical background -- The importance of seeing in Hinduism -- The modern Ramayana Kathas -- Buddha. The films -- Historical background -- Resistance to depicting Buddha in film -- Thanks to the Hindus and the Westerners -- Muhammad. The film itself -- The film's relationship to the Muslim tradition -- Conclusions -- Jesus restyled. The Indian Jesus films -- The South African Jesus film -- The Jesus film of the African-American Christians -- Siding with powerless and victims of discrimination -- Some conclusions. Between tradition and creativity : the importance of the audience -- Film, narration modes and subjectivity -- The positions of the actors playing the sacred figures -- The sacred environment -- Outside the cultural context of the religions -- Between the void, images and films : again a key position for the audience.

Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

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