Impersonations : The Artifice of Brahmin Masculinity in South Indian Dance.

By: Kamath, Harshita MruthintiMaterial type: TextTextPublisher: Berkeley : University of California Press, 2019Copyright date: �2019Edition: 1st edDescription: 1 online resource (241 pages)Content type: text Media type: computer Carrier type: online resourceISBN: 9780520972230Genre/Form: Electronic books.Additional physical formats: Print version:: ImpersonationsDDC classification: 306.4846081109548 Online resources: Click to View Summary: Learn more at www.luminosoa.org. Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance centers on an insular community of Smarta Brahmin men from the Kuchipudi village in Telugu-speaking South India who are required to don stri-vesam (woman's guise) and impersonate female characters from Hindu religious narratives. Impersonation is not simply a gender performance circumscribed to the Kuchipudi stage, but a practice of power that enables the construction of hegemonic Brahmin masculinity in everyday village life. However, the power of the Brahmin male body in stri-vesam is highly contingent, particularly on account of the expansion of Kuchipudi in the latter half of the twentieth century from a localized village performance to a transnational Indian dance form. This book analyzes the practice of impersonation across a series of boundaries--village to urban, Brahmin to non-Brahmin, hegemonic to non-normative--to explore the artifice of Brahmin masculinity in contemporary South Indian dance.
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Learn more at www.luminosoa.org. Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance centers on an insular community of Smarta Brahmin men from the Kuchipudi village in Telugu-speaking South India who are required to don stri-vesam (woman's guise) and impersonate female characters from Hindu religious narratives. Impersonation is not simply a gender performance circumscribed to the Kuchipudi stage, but a practice of power that enables the construction of hegemonic Brahmin masculinity in everyday village life. However, the power of the Brahmin male body in stri-vesam is highly contingent, particularly on account of the expansion of Kuchipudi in the latter half of the twentieth century from a localized village performance to a transnational Indian dance form. This book analyzes the practice of impersonation across a series of boundaries--village to urban, Brahmin to non-Brahmin, hegemonic to non-normative--to explore the artifice of Brahmin masculinity in contemporary South Indian dance.

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2023. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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