Red modernism : American poetry and the spirit of communism / Mark Steven.
Material type:
TextSeries: Hopkins studies in modernismPublisher: Baltimore, Maryland : Johns Hopkins University Press, 2017Description: 1 online resource (265 pages)Content type: text Media type: computer Carrier type: online resourceISBN: 9781421423586Subject(s): American poetry -- 20th century -- History and criticism | Modernism (Literature) -- United States | Communism and literatureGenre/Form: Electronic books.Additional physical formats: Print version:: Red modernism : American poetry and the spirit of communism.DDC classification: 811/.509112 LOC classification: PS310.M57 | S745 2017Online resources: Click to View Summary: "In Red Modernism, Mark Steven asserts that modernism was highly attuned--and aesthetically responsive--to the overall spirit of communism. He considers the maturation of American poetry as a longitudinal arc, one that roughly followed the rise of the USSR through the Russian Revolution and its subsequent descent into Stalinism, opening up a hitherto underexplored domain in the political history of avant-garde literature. In doing so, Steven amplifies the resonance among the universal idea of communism, the revolutionary socialist state, and the American modernist poem. Focusing on three of the most significant figures in modernist poetry--Ezra Pound, William Carlos Williams, and Louis Zukofsky--Steven provides a theoretical and historical introduction to modernism's unique sense of communism while revealing how communist ideals and references were deeply embedded in modernist poetry. Moving between these poets and the work of T. S. Eliot, Langston Hughes, Muriel Rukeyser, Gertrude Stein, Wallace Stevens, and many others, the book combines a detailed analysis of technical devices and poetic values with a rich political and economic context. Persuasively charting a history of the avant-garde modernist poem in relation to communism, beginning in the 1910s and reaching into the 1940s, Red Modernism is an audacious examination of the twinned history of politics and poetry"-- Provided by publisher.
Includes bibliographical references and index.
"In Red Modernism, Mark Steven asserts that modernism was highly attuned--and aesthetically responsive--to the overall spirit of communism. He considers the maturation of American poetry as a longitudinal arc, one that roughly followed the rise of the USSR through the Russian Revolution and its subsequent descent into Stalinism, opening up a hitherto underexplored domain in the political history of avant-garde literature. In doing so, Steven amplifies the resonance among the universal idea of communism, the revolutionary socialist state, and the American modernist poem. Focusing on three of the most significant figures in modernist poetry--Ezra Pound, William Carlos Williams, and Louis Zukofsky--Steven provides a theoretical and historical introduction to modernism's unique sense of communism while revealing how communist ideals and references were deeply embedded in modernist poetry. Moving between these poets and the work of T. S. Eliot, Langston Hughes, Muriel Rukeyser, Gertrude Stein, Wallace Stevens, and many others, the book combines a detailed analysis of technical devices and poetic values with a rich political and economic context. Persuasively charting a history of the avant-garde modernist poem in relation to communism, beginning in the 1910s and reaching into the 1940s, Red Modernism is an audacious examination of the twinned history of politics and poetry"-- Provided by publisher.
Description based on print version record.
Electronic reproduction. Ann Arbor, MI : ProQuest, 2016. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
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