The ambivalent legacy of Elia Kazan : the politics of the post-HUAC films / Ron Briley.

By: Briley, Ron, 1949- [author.]Material type: TextTextSeries: Film and history (Lanham, Md.)Publisher: Lanham : Rowman & Littlefield, [2017]Copyright date: 2017Description: 1 online resource (277 pages)Content type: text Media type: computer Carrier type: online resourceISBN: 9781442271685 (e-book)Subject(s): Kazan, Elia -- Criticism and interpretation | Motion picture producers and directors -- Political activity -- United States | Motion pictures -- Political aspects -- United States -- History -- 20th century | Communism and motion pictures -- United StatesGenre/Form: Electronic books.Additional physical formats: Print version:: Ambivalent legacy of Elia Kazan : the politics of the post-HUAC films.DDC classification: 791.4302/33092 LOC classification: PN1998.3.K39 | B75 2017Online resources: Click to View
Contents:
Introduction: no regrets? -- Viva Zapata! (1952) and Cold War liberalism -- Kazan and the anticommunist film genre: Man on a tightrope (1953) -- The ambivalence of informing: On the waterfront (1954) -- Father and sons and the cost of pursuing the American Dream: East of Eden (1955) -- Sexuality and the new south: Baby doll (1956) -- A return to progressive principles and the shape of things to come: A face in the crowd (1957) -- Looking backward and the cost of progress: Wild river (1960) -- Anticipating the youth rebellion: Splendor in the grass (1960) -- The Anatolian smile and the immigrant experience: America America (1963) -- Rebelling against the arranged life: The arrangement (1969) -- The final films: The visitors (1971) and The last tycoon (1976).
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Includes bibliographical references and index.

Introduction: no regrets? -- Viva Zapata! (1952) and Cold War liberalism -- Kazan and the anticommunist film genre: Man on a tightrope (1953) -- The ambivalence of informing: On the waterfront (1954) -- Father and sons and the cost of pursuing the American Dream: East of Eden (1955) -- Sexuality and the new south: Baby doll (1956) -- A return to progressive principles and the shape of things to come: A face in the crowd (1957) -- Looking backward and the cost of progress: Wild river (1960) -- Anticipating the youth rebellion: Splendor in the grass (1960) -- The Anatolian smile and the immigrant experience: America America (1963) -- Rebelling against the arranged life: The arrangement (1969) -- The final films: The visitors (1971) and The last tycoon (1976).

Description based on print version record.

Electronic reproduction. Ann Arbor, MI : ProQuest, 2016. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

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