Lee Friedlander : The Little Screens / Saul Anton.
Material type:
TextSeries: One workPublisher: London : Afterall Books, 2015Distributor: Cambridge, Massachusetts : The MIT Press, [date of distribution not identified]Description: 1 online resource (97 pages) : illustrationsContent type: text Media type: computer Carrier type: online resourceISBN: 9781846381614Other title: Little screensSubject(s): Friedlander, Lee. Little screens | Friedlander, Lee -- Criticism and interpretation | Photography, ArtisticGenre/Form: Electronic books.Additional physical formats: Print version:: Lee Friedlander : The Little Screens.DDC classification: 770 LOC classification: TR655 | .A56 2015Online resources: Click to View Summary: Lee Friedlander's 'The Little Screens' first appeared as a 1963 photo-essay in Harper's Bazaar, with commentary by Walker Evans. Six untitled photographs show television screens broadcasting eerily glowing images of faces and figures into unoccupied rooms in homes and motels across America. As distinctive a portrait of an era as Robert Frank's 'The Americans', 'The Little Screens' grew in number and was not brought together in its entirety until a 2001 exhibition at the Fraenkel Gallery in San Francisco. Friedlander (b. 1934) is known for his use of surfaces and reflections--from storefront windows to landscapes viewed through car windshields -- to present a pointed view of American life. The photographs that make up The Little Screens represent an early example of this photographic strategy, offering the narrative of a peripatetic photographer moving through the landscape of 1960s America that was in thrall to a new medium. In this astute study, Saul Anton argues that The Little Screens marked the historical intersection of modern art and photography at the moment when television came into its own as the dominant medium of mass culture.
Includes a facsimile reproduction of The little screens : a photographic essay / by Lee Friedlander ; with a comment by Walker Evans, as printed in Harper's bazaar, February 1963 (pages 8-11).
Includes bibliographical references.
Lee Friedlander's 'The Little Screens' first appeared as a 1963 photo-essay in Harper's Bazaar, with commentary by Walker Evans. Six untitled photographs show television screens broadcasting eerily glowing images of faces and figures into unoccupied rooms in homes and motels across America. As distinctive a portrait of an era as Robert Frank's 'The Americans', 'The Little Screens' grew in number and was not brought together in its entirety until a 2001 exhibition at the Fraenkel Gallery in San Francisco. Friedlander (b. 1934) is known for his use of surfaces and reflections--from storefront windows to landscapes viewed through car windshields -- to present a pointed view of American life. The photographs that make up The Little Screens represent an early example of this photographic strategy, offering the narrative of a peripatetic photographer moving through the landscape of 1960s America that was in thrall to a new medium. In this astute study, Saul Anton argues that The Little Screens marked the historical intersection of modern art and photography at the moment when television came into its own as the dominant medium of mass culture.
Description based on print version record.
Electronic reproduction. Ann Arbor, MI : ProQuest, 2016. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
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