Creative Frictions : (Record no. 308926)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 04967nam a22004573i 4500 |
| 001 - CONTROL NUMBER | |
| control field | EBC6829385 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240122001516.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d | |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr cnu|||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 231124s2021 xx o ||||0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781760464592 |
| Qualifying information | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9781760464585 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (MiAaPQ)EBC6829385 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (Au-PeEL)EBL6829385 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)1262785069 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | MiAaPQ |
| Language of cataloging | eng |
| Description conventions | rda |
| -- | pn |
| Transcribing agency | MiAaPQ |
| Modifying agency | MiAaPQ |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | DU107 |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 306.0994 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Cmielewski, Cecelia. |
| 245 10 - TITLE STATEMENT | |
| Title | Creative Frictions : |
| Remainder of title | Arts Leadership, Policy and Practice in Multicultural Australia. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1st ed. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Canberra : |
| Name of producer, publisher, distributor, manufacturer | ANU Press, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2021. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Date of production, publication, distribution, manufacture, or copyright notice | �2021. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (304 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Intro -- Acknowledgements -- List of Tables -- Table 1: Proportion of professional NESB artists in each artistic field, 2009 and 2015 -- Table 2: Expected and actual levels of representation of NESB artists in 2005 -- Table 3: Member organisations of kultour in 2000 -- Table 4: Longevity of multi-artform multicultural arts organisations -- Table 5: Chronology of multicultural arts policy at the Australia Council -- List of Illustrations -- Image 1: Annalouise Paul, Mother Tongue, 2014 -- Image 2: Counting and Cracking, Belvoir Street Theatre, 2019 -- Image 3: Hossein Valamanesh, The Lover Circles His Own Heart, 1993 -- Image 4: Hossein Valamanesh, Practice, 2006 -- Image 5: Lex Marinos, The Slap, 2011 -- Image 6: Konstantin Koukias, Sea Chant. Settlers, Ships and Saw‑Horses, 2001 -- Image 7: Hossein Valamanesh, This Will Also Pass, 2007 -- Image 8: Counting and Cracking, Belvoir Street Theatre, 2019 -- Image 9: Counting and Cracking, Belvoir Street Theatre, 2019 -- Image 10: Konstantin Koukias, To Traverse Water, 1995, Melbourne International Festival of the Arts -- Image 11: Sean Ly (director and videographer), Beyond Refuge: Flashbacks, 2016 -- Image 12: Counting and Cracking, Belvoir Street Theatre, 2019 -- Image 13: Annalouise Paul, Forge, 2016 -- Image 14: Hossein Valamanesh, Untitled Map, 2002 -- Image 15: Annalouise Paul, Mother Tongue, 2014 -- Image 16: Annalouise Paul, Isabel, 2008 -- Image 17: Annalouise Paul, Mother Tongue, rehearsal, 2014 -- Image 18: Konstantin Koukias, Tesla-Lightning in His Hand, 2003 -- Image 19: Lex Marinos, The Slap, 2011 -- Image 20: Counting and Cracking, Belvoir Street Theatre, 2019 -- Image 21: Bong Ramilo, Treasure Language Storytelling, performance, 2016 -- Image 22: Annette Shun Wah -- Image 23: Contemporary Asian Australian Performance Artists Lab brochure, 2020. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Image 24: Bong Ramilo with Pia De Compiegne, 1991, launch of the New South Wales Multicultural Arts Association -- Figure 1: Governance structure of the Australia Council, 2006-11 -- Figure 2: Art + Cultural Difference + Global Collaboration workshop -- Figure 3: Contemporary Asian Australian Performance and Playwriting Australia. Cycle of change using creative and organisational leadership -- Figure 4: Cycle of change using creative and organisational leadership -- Acronyms -- Introduction -- Advancing Multicultural Arts: Policies, Problems and Practice -- Leading for the Arts in a Multicultural Australia -- Shaping the Discourse of Arts in a Multicultural Australia -- Creative Leadership: The Agency of the NESB Artist -- Challenges of Institutional Leadership: Reluctance in the Australia Council -- Organisational Leadership: Expanding the Multicultural Arts Milieu -- Epilogue: Towards a Supportive Multicultural Arts Milieu -- Appendix A: Participant Biographies -- Appendix B: Chronology -- Appendix C: Governance -- Appendix D: Art + Cultural Difference + Global Collaboration -- Appendix E: Cycle of Change -- References. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Creative Frictions explores the relationship between visionary aspects of practice and policy. Despite over 30 years of arts and cultural policy attention, there remains a widespread view among the general public and artists alike that creative production does not reflect Australia's culturally diverse population. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on publisher supplied metadata and other sources. |
| 590 ## - LOCAL NOTE (RLIN) | |
| Local note | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2023. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Arts. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Cultural policy. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Multiculturalism. |
| 655 #4 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Main entry heading | Cmielewski, Cecelia |
| Title | Creative Frictions |
| Place, publisher, and date of publication | Canberra : ANU Press,c2021 |
| International Standard Book Number | 9781760464585 |
| 797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) | |
| Corporate name or jurisdiction name as entry element | ProQuest (Firm) |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://ebookcentral.proquest.com/lib/bacm-ebooks/detail.action?docID=6829385">https://ebookcentral.proquest.com/lib/bacm-ebooks/detail.action?docID=6829385</a> |
| Public note | Click to View |
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